Scenery, sound, and salt in Krakow 

Scenery, sound, and salt in Krakow 
Wawel Castle in Krakow. (Shutterstock)
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Updated 24 October 2025
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Scenery, sound, and salt in Krakow 

Scenery, sound, and salt in Krakow 
  • A short break in Poland’s magical second city  

KRAKOW: There’s something quietly magical about Krakow in autumn. The Polish city moves to its own rhythm as orange and yellow leaves fall like nature’s confetti. It isn’t loud or crunchy; it’s subtle, elegant and playful all at once.  

In a creaky, candlelit room in Krakow’s Old Town, we heard a pianist playing some of the delicate yet stormy compositions of Chopin — Poland’s most revered composer. It felt both calming and invigorating, a quiet reset. (Tip: arriving just a few minutes late — we got lost admiring the quaint shops along the way — and paying in cash unknowingly earned us a modest discount.) 

Krakow is as much about taste as it is about sound. You could eat your weight in delicious pierogi; those soft, delicate dumplings gathered at the top, filled with comforting goodies such as potato, cheese, shredded cabbage, or meat, and topped with a sprinkling of fried onions. 




Inside the Wieliczka Salt Mine. (Shutterstock)

We also indulged in Oscypek z grilla — grilled smoked sheep’s cheese, a traditional delicacy from Poland’s Tatra Mountains, often served with cranberry or cherry sauce. It was creamy, tart, and lightly charred, offering the perfect balance. Polish cuisine in general is hearty and unpretentious; you can find great tomato soup, for example, and it’s well worth trying the so-called Polish bagel — obwarzanek krakowski — a braided, ring-shaped bread that’s boiled before baking and typically sprinkled with poppy seeds, sesame, or salt. 

Speaking of salt, a short drive from the Old Town is the labyrinthine wonder of the Wieliczka Salt Mine. Descending into its depths, each space is more elaborate than the last. Salt sculptures and underground lakes create a surreal beauty — a subterranean cathedral said to be the largest of its kind and carved entirely from salt. Much to our relief, after hours of walking, our return to the surface was via a tiny elevator that zipped up in seconds.  

The salted chocolate available at the mine was some of the best I’ve ever tasted, and I later indulged in a soak with bath salts to soothe my aching feet. 




Pierogi - a must-try Polish dish. (Shutterstock)

Salt shakers are popular gifts here — symbols of hospitality and preservation. But Poland is also famed for its hand-painted pottery, amber jewelry from the Baltic coast, intricate woodwork, and colorful folk art bursting with symbolism. I also admired their delicate scarves adorned with flowers. And their cute dolls. 

Architecturally, Krakow is a lesson in continuity and preservation; its lively squares and cozy spaces are equally inviting and immersive. Gothic spires rise beside Baroque façades, while Renaissance courtyards whisper of centuries of civic pride. 

Be sure to stop by Wawel Castle—even if you skip the paid exhibits. The gardens alone are worth a visit, and the gift shop offers a fine selection of local crafts. Legend has it that the Wawel Dragon once terrorized Krakow from a cave beneath Wawel Hill, devouring livestock and terrifying villagers. Many knights tried to defeat it but failed, until a clever shoemaker fed it a sheep stuffed with sulfur, making it so thirsty that it drank from the Vistula River until it burst. Today, a dragon statue near the castle occasionally breathes fire, delighting passersby. 

Local craftsmen and women still prosper here. I couldn’t resist a pair of handmade shoes — comfortable, stylish and affordable. While there may be no dragon-slaying shoemakers around today, the city itself feels subtly enchanted, preserved just enough to keep the magic alive in each step.  


Cinephiles embark on journey through European film in Riyadh

Cinephiles embark on journey through European film in Riyadh
Updated 04 November 2025
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Cinephiles embark on journey through European film in Riyadh

Cinephiles embark on journey through European film in Riyadh
  • Cinema links cultures, says EU envoy Christophe Farnaud
  • 15 European films subtitled in Arabic, English until Nov. 11

RIYADH: The fourth edition of the European Film Festival began on Monday in Riyadh, featuring 15 films from as many European countries — all subtitled in Arabic and English — until Nov. 11.

The bridge-building event has been organized by the Delegation of the EU to the Kingdom of Saudi Arabia, in collaboration with Arabia Pictures, VOX Cinemas, the Saudi Film Commission, as well as embassies of member states. 

On Monday, ambassadors, media representatives and other individuals were shown the Latvian film “Flow,” winner of the 2025 Oscar for Best Animated Feature.

On Tuesday, the festival screened Norwegian film “Titina” and Spanish film “EL 47.”

Christophe Farnaud, ambassador of the EU to Saudi Arabia, said: “Four years on, the festival has become a landmark on Saudi Arabia’s cultural calendar.”

He added that it is “a vibrant bridge of EU-Saudi cooperation that celebrates Europe’s storytelling heritage alongside the Kingdom’s rise as a global creative powerhouse.”

During the opening ceremony, Farnaud highlighted the festival’s role in fostering dialogue between European and Saudi Arabia filmmakers.

He said “cinema is one of the most powerful forms of art — it makes us dream, laugh, and cry. It connects people across cultures.”  

Abdulilah Alahmary, founder of Arabia Pictures, said: “We were thrilled to bring another outstanding lineup of European cinema to Saudi audiences, enriched with special guests and free masterclasses.” 

The festival features interactive seminars and masterclasses led by prominent filmmakers from Europe and Saudi Arabia.

Among the highlights were Visual Effects Artist Martins Upitis, who contributed to “Flow,” and Norwegian director Kajsa Naess, known for the acclaimed animated film “Titina.”  

Speaking to Arab News, Upitis said: “This is my first time in Saudi Arabia, and it’s such an honor to be part of the European Film Festival in Riyadh. I hope audiences here enjoy ‘Flow’ as much as we enjoyed creating it.”