Can Riyadh’s hotel boom set a global standard for sustainability?

Can Riyadh’s hotel boom set a global standard for sustainability?
Buildings use between 10 percent and 15 percent less energy than conventional designs. (Supplied)
Short Url
Updated 19 September 2025
Follow

Can Riyadh’s hotel boom set a global standard for sustainability?

Can Riyadh’s hotel boom set a global standard for sustainability?
  • Mud-brick hotels and regenerative agriculture combine ancient techniques with sustainability

RIYADH: Against a skyline dotted with construction cranes, Riyadh is racing to add 360,000 new hotel rooms by 2030 — a $1 trillion push aimed at cementing Saudi Arabia’s place as a global tourism hub.

This rapid expansion raises a critical question: Can desert hospitality lead the world in sustainable innovation while advancing the Kingdom’s Vision 2030 and net-zero 2060 goals?

The operational blueprint is unfolding at King Abdullah Financial District, where over 40 LEED Silver or Gold-certified buildings achieve 10–15 percent energy savings through high-efficiency appliances and smart climate control.

These structures recycle wastewater using advanced treatment systems, supporting Riyadh’s city-wide goal to reuse 100 percent of treated water for irrigation and greening — mirroring capabilities at facilities like the Manfouha plant.




KAFD is built for sustainability, with more than 40 buildings that are LEED certified at Silver or Gold. (Shutterstock)

Abdulrazaq Alreshaidan, an expert on sustainability and safety issues, emphasized to Arab News the comprehensive nature of this evolution:

“Progressive developers now integrate carbon accounting from initial excavation through decades of operations while implementing sophisticated water conservation systems and advanced waste management techniques across all project phases,” he said.

Riyadh’s hospitality expansion is tightly interwoven with the city’s sustainability strategy, forming a unified framework for ecological transformation.

The blueprint sets ambitious targets: a 50 percent citywide reduction in carbon emissions, driven by energy-efficient building codes and renewable energy adoption in the tourism sector. Hotels are also expected to achieve a 94 percent waste recycling and conversion rate by redirecting food and packaging waste into circular systems, cut water consumption by 57 percent through advanced conservation mandates, and lower urban temperatures by 1.5°C–2°C via strategically expanded native green corridors irrigated with recycled water.

Addressing extreme water scarcity remains paramount. At Shebara along the Red Sea coast, 73 prefabricated villas operate with near-zero marine impact through solar-powered reverse-osmosis desalination that meets 100 percent of freshwater needs, while enforcing strict circular economy protocols that eliminate single-use plastics through reusable container partnerships with local suppliers.




Abdulrazak Alreshaidan, sustainability expert. (Supplied)

Similarly, Dar Tantora in AlUla features 30 mud-brick guest rooms using ancient thermal-mass principles for natural temperature regulation, alongside a zero-waste restaurant initiative that trains regional farmers in precision-drip irrigation and regenerative agriculture to rebuild topsoil season after season.

“Leading properties now implement intuitive material reuse stations with multilingual signage,” said Alreshaidan. He highlighted hotels like The Valley Resort, which transform 12 tonnes of monthly organic waste into nutrient-dense compost for extensive native-species gardens — creating on-site closed-loop ecosystems.

Energy innovation is also taking center stage. Six Senses Southern Dunes — Saudi Arabia’s first off-grid LEED Platinum property — runs entirely on photovoltaic arrays with battery storage, while Desert Rock Resort uses subterranean geothermal engineering to cut conventional cooling needs by over 40 percent.

“Visionary developers actively pursue certifications like LEED because they understand these credentials validate operational excellence while strengthening brand reputation and investor confidence quantifiably,” Alreshaidan said.

He added that material sourcing remains a challenge: “You might notice some sustainable materials are higher in price than others.” Many hotels accept these higher costs as “long-term investment rather than short-term cost.”

The Saudi Investment Recycling Co., a Public Investment Fund subsidiary, develops and operates recycling infrastructure across all waste types. Alreshaidan emphasized material sustainability: “Companies like SIRC guide others to utilize recycled materials and waste from construction is utilized where materials came 100 percent from recycled sources.”

He specifically spotlighted SIRC’s conversion of demolition debris into certified concrete aggregates used in landmark projects.

FASTFACT

Did You Know?

Riyadh plans to add 360,000 new hotel rooms by 2030.

Some hotels run entirely off-grid using solar power and battery storage.

Hotels like The Valley Resort turn 12 tonnes of organic waste each month into compost.

Verification gaps present another complexity: “The absence of Saudi and GCC-authorized accreditation bodies for auditing recycled content percentages creates vulnerability to greenwashing claims without standardized chain-of-custody documentation,” said Alreshaidan.

With LEED Silver certification now mandatory for major developments, Riyadh’s hotel construction wave is creating 360,000 real-world laboratories for sustainable innovation.

As Expo 2030 approaches, transformative solutions — from AI-managed water recovery networks to SIRC’s circular economy platforms — position Saudi Arabia to lead global sustainability standards tailored for hyper-arid regions.

Saudi Arabia is fundamentally reimagining how environmental resilience is embedded in every operational variable. Alreshaidan concluded optimistically: “Comprehensive solutions are materializing precisely where most critically needed to harmonize growth with planetary stewardship.”


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025
Follow

Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.” 

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of Saudi Arabia’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (Saudi Arabia), Abdelrahman Elshahed (Saudi Arabia), Ahmad Angawi (Saudi Arabia), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (Saudi Arabia), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (Saudi Arabia), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (Saudi Arabia), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (Saudi Arabia), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (Saudi Arabia), Monira Al-Qadiri (Kuwait), Muhannad Shono (Saudi Arabia), n + n Corsino (France), Nebras Aljoaib (Saudi Arabia), Obaid Alsafi (Saudi Arabia), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (Saudi Arabia), Saeed Gebaan (Saudi Arabia), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (Saudi Arabia).