Winter comes alive as Khobar Season 2025 begins

Winter comes alive as Khobar Season 2025 begins
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Visitors gather outside Ithra's main entrance during the opening of Winter is Alive on Wednesday evening. (AN photo/Waad Hussain)
Winter comes alive as Khobar Season 2025 begins
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Local musicians perform traditional melodies during the launch event of Winter is Alive at Ithra on Wednesday evening. (AN photo/Waad Hussain)
Winter comes alive as Khobar Season 2025 begins
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Drones light up the night sky above Ithra during the opening ceremony of Winter is Alive on Wednesday evening, part of Khobar Season 2025. (AN photo/Waad Hussain)
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Updated 30 October 2025
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Winter comes alive as Khobar Season 2025 begins

Winter comes alive as Khobar Season 2025 begins

DHAHRAN: Khobar Season 2025 kicked off in style on Wednesday at the King Abdulaziz Center for World Culture, Ithra.

A vibrant celebration bringing together media professionals, artists and families under the Dhahran night sky, “Winter is Alive at Ithra” combined the center’s annual media gathering with the opening ceremony of the new season.

The event represented a renewed effort to position the Eastern Province as a year-round cultural destination, with concerts, immersive installations, workshops and local food experiences running until April 2026.

“Every year, Ithra manages to surprise us with something new,” said Sarah Al-Abdullah, an English teacher who attended. “This season feels especially dynamic because it’s not just about entertainment, it’s about inspiring people to explore and create.”

The night opened with a spectacular show of lights and drones that illuminated Ithra’s structure with the “Winter is Alive” slogan.

Crowds gathered around the Knowledge Oasis to enjoy a mix of the traditional and the modern, from oud performances to digital art projections.

Ithra has long served as a cultural bridge between art, science and technology. Its seasonal programs attract hundreds of thousands of visitors annually, and this year’s edition carries on that mission with a focus on accessibility and family engagement.

Content creator and frequent visitor Haneen Al-Ghamdi said the experience had more than just visual appeal.

“There’s something special about how Ithra curates its events,” she said. “You walk in expecting a show, but you end up learning something new, whether it’s about art, culture or even yourself. The workshops and interactive areas make you feel part of the story.”

The event also highlighted the center’s ongoing collaboration with local and regional partners as part of its strategy to nurture homegrown talent and strengthen the creative economy.

Programs like the Family Studio, Youth Studio and Winter Souq offered spaces where artists and entrepreneurs could connect directly with the community.

Mohammed Al-Otaibi, an attendee from Dammam, said: “It’s amazing to see so many people from different backgrounds coming together. Ithra has turned into a symbol of what Vision 2030 looks like on the ground. Creative, confident and open to the world.”

The annual media gathering preceding the launch served as a gesture of appreciation to journalists and broadcasters for their role in promoting Saudi culture.

Ithra’s representatives emphasized that media remained a key partner in advancing the Kingdom’s cultural narrative, echoing national efforts to strengthen creative industries and cultural communication.

Throughout the evening, guests were invited to explore the newly opened areas and upcoming attractions of Khobar Season 2025, which will continue over the coming months with performances, exhibitions and culinary events across the region.

In addition to Winter is Alive at Ithra, Khobar Season will feature outdoor installations and cross-disciplinary collaborations linking technology, sustainability, and heritage. Organizers say the goal is to make the Eastern Province a permanent fixture on Saudi Arabia’s cultural calendar.

“The beauty of this event is how it connects past and future,” added Al-Abdullah. “You see oud players and drone shows in the same frame. That’s the story of Saudi Arabia right now. It’s harmony between tradition and innovation.”


Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
Updated 05 November 2025
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Noor Riyadh announces artists for this year’s festival of light and art

Noor Riyadh announces artists for this year’s festival of light and art
  • This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh

RIYADH: The annual Noor Riyadh, the region’s largest international festival of light and art, has announced its list of participating artists, gearing up for the 2025 launch that will run from Nov. 20-Dec. 6. 

The show, curated by Mami Kataoka, Li Zhenhua and Sara Almutlaq, takes place in various hubs across Riyadh and will include 60 artworks by 59 artists, representing 24 nationalities, with 35 newly commissioned pieces. 

“Noor Riyadh is defined by its artists; their ideas, their courage and their vision,” said Nouf Almoneef, festival director of Noor Riyadh. “Each work captures the city’s momentum through light, reminding us that creativity is a universal language that connects cultures and inspires dialogue.” 

Italian artist Michelangelo Pistoletto's "Love Difference" (2025). (Supplied)

This year’s curatorial theme, “In the Blink of an Eye,” reflects the rapid transformation shaping Riyadh.

The festival will present work responding to the theme by leading international and local artists, including Saad Al-Howede, Monira Al-Qadiri, Abdulrahman Al-Soliman, James Clar, Ivana Franke, fuse*, Ayoung Kim, Shinji Ohmaki, Michelangelo Pistoletto and Muhannad Shono.

The show will also include a special installation dedicated to the work of the late Safeya Binzagr (1940–2024), a leading figure of Saudi Arabia’s modern art movement and the first female Saudi artist to hold a solo exhibition in 1968. 

Croatian artist Ivana Franke's "Center" (2024). (Supplied)

“Light is both a medium and a metaphor for transformation,” said Kataoka, the curatorial advisory lead. “‘In the Blink of an Eye’ reveals how quickly perception can shift — offering a moment to pause within the momentum of change and see beauty in what is constantly evolving.”

The 2025 festival is led by an international curatorial team that brings together distinct perspectives on contemporary culture, whose vision connects Riyadh’s historical heart to its modern skyline and metro network. The show invites audiences to encounter light as a medium for perception, memory and momentum. 

The festival’s program will have Noor Riyadh unfold across six locations this year: Qasr Al-Hokm District, King Abdulaziz Historical Center, stc Metro Station, KAFD Metro Station, Al-Faisaliah Tower and JAX District. 

Saudi artist Saad Al-Howede's "Memory Melting" (2025). (Supplied)

Held under the umbrella of the Royal Commission for Riyadh City and Riyadh Art, Noor Riyadh echoes Riyadh Art’s mission to transform the Kingdom’s capital city by sparking creativity and enriching daily lives. 

Since its inception, Riyadh Art has showcased more than 550 artworks by 500 Saudi and international artists, attracting more than 9.6 million visitors and spectators through its major programs. Noor Riyadh transforms everyday public spaces into distinctive encounters, hoping to create a sense of shared wonder across communities through art.

The full list of the festival’s 2025 participating artists includes: Addie Wagenknecht (US), Abdulrahman Al-Soliman (Saudi Arabia), Abdelrahman Elshahed (Saudi Arabia), Ahmad Angawi (Saudi Arabia), Alex Schweder (US), Alexandra Gelis (Colombia and Canada), Ayoung Kim (South Korea), atelier oi + WonderGlass (Switzerland), Christian Partos (Sweden), Christophe Berthonneau (France), dies_ (Italy), Saad Al-Howede (Saudi Arabia), Edwin van der Heide (Netherlands), Encor Studio (Switzerland), Fatma Abdulhadi (Saudi Arabia), Francesco Simeti (Italy), fuse* (Italy), Guillaume Cousin (France), Hmoud Alattawi (Saudi Arabia), Iregular (Canada), Ivana Franke (Croatia), James Clar (Philippines and US), Karolina Halatek (Poland), Khalid Zahid (Saudi Arabia), Kurt Hentschlager (Austria), Laszlo Zsolt Bordos (Hungary), Loris Cecchini (Italy), Marnix De Nijs (Netherlands), Michelangelo Pistoletto (Italy), Mohammed Farea (Saudi Arabia), Monira Al-Qadiri (Kuwait), Muhannad Shono (Saudi Arabia), n + n Corsino (France), Nebras Aljoaib (Saudi Arabia), Obaid Alsafi (Saudi Arabia), Otolab (Italy), Plastique Fantastique (Germany), Random International (UK), Rejane Cantoni (Brazil), Robert Seidel (Germany), Roman Hill (US and France), Ryoichi Kurokawa (Japan), Safeya Binzagr (Saudi Arabia), Saeed Gebaan (Saudi Arabia), Shinji Ohmaki (Japan), Shiro Takatani (Dumb Type, Japan), Shun Ito (Japan), Six N. Five (Ezequiel Pini, Argentina), someform Studio (Germany), Studio Above&Below (UK), Tonoptik (Russia), Traumnovelle (Belgium), Vali Chincisan (Romania), Wang Yuyang (China), Wu Chi-Tsung (Taiwan), Zeitguised (Germany), Zhang Zengzeng (China), Zheng Da (China) and Ziyad Alroqi (Saudi Arabia).